Affordable Housing
Revolve/Ramp Gallery in Asheville - March 1-15 2021
open to the public, masked, 9a-8p
821 Riverside Dr, Asheville, NC 28801
(9-6 through North Entrance near STEAM studio, 12-8 through French Broad)
Affordable Housing is an installation which urges visitors to consider the notions, trappings, and complexities of “home.”
Upon entering the space, a simple job-site table holds sanitizing wipes and gloves and a housing survey, which asks visitors for basic demographic information related to their housing situation, resources, information about mutual aid and wealth reclamation.
In the lower portion of the gallery, Festival of Shelters and the Special Field Order No. 15, a sculptural frame of a house form, made from steel, sits in it’s own yard of 500 sq ft of sod. Visitors are invited to walk around, sit a while, and take up space and time within the installation.
Nearby, Planned Communities and Public Housing on Sample Whites is made up of 70+ paint sample cards in a variety of ‘whites,’ resting on two 2”x4”x8’ select studs. Over the course of the exhibition, the artist will keep open hours in the gallery, drawing topographic interpretations of planned communities, such as Levittown, PA and Shaker Heights, OH, and Public Housing, such as Jordan Downs, Watts, CA, and C. J. Peete Public Housing Development (Magnolia Projects), New Orleans, LA.
In addition to the works on view at each location, in-person and digital visitors, if able and moved to do so, are encouraged to make donations of supplies, funds, time, or resources to their local mutual aid solidarity network benefiting individuals experiencing houselessness and those disproportionately affected by COVID-19. For more info about the history of de jeure segregation, mutual aid, dual power, wealth reclamation, and other non-hierarchical methods of community care, please see the links below.
Resources:
Antiracist Praxis, American University - Segregation and De Facto Segregation by Olivia Ivey
The Color of Law, A Forgotten History of How Our Government Segregated America
“Among the rarest things is a white artist making a work about whiteness. Enter @lydiasee.studio, whose 2021 "Affordable Housing" was recently on view @revolveavl.
.
It featured "Festival of Shelters and the Special Field Order No. 15," the outline of a house in steel, a form abstract and empty enough to prompt the viewer to muse on how to fill it in. See's sculpture sat on sod and asked, 'What makes a place a home?'
.
About 10 feet away, two racks of paint samples turned the softballs posed on the field into a more pointed question: who gets to have a home? Each of the paint chips was a different shade of white. Suddenly See's idyll became a call for redress.
.
Oh btw, Union Gen. William T. Sherman issued the “Special Field Orders No. 15” of See's title in 1865. Sherman's order confiscated land from treasonous white Southerners and provided for its dispensation to formerly enslaved Black men and women. Later, white supremacist President Andrew Johnson returned these lands to their previous owners, a denial of both economic opportunity and a certain justice to men and women had joined the Union Army and fought for both their freedom and the Union.
.
Later, again: across the 20thC and especially after WWII, the US denied soldiers and their families who were not culturally constructed as white access to both housing and economic opportunity. Federal programs, such the extension of federal loans to whites on the explicit condition that they not sell their houses to Black buyers, and the 1949 Housing Act, which enforced segregation on the nation's most popular housing sector were explicitly constructed around the imposition and expansion of white supremacy. States and home-owners groups followed with policies such as the imposition of racially restrictive covenants on houses and neighborhoods. Today the average white family has 41 times the wealth of a Black family.
.
See has offered literature on some of this. But it was the paint chips -- installed serially on racks in a manner that recalls the seriality of post-war developments such as CA's Lakewood and NY's Levittown – that used repression's vocabulary and form to say it all.”
Open Floor Plan was a constellation of exhibitions of sculpture, installation, photography, and time-based media shown in multiple locations across several months in SPRING 2021.